Thursday 19th October Erasure Poem B (Plumwood Mountain, 5:1, 2018)
2 poems (Matador Review, Fall 2017)
6 poems (Jacket 2, 2017)
non-hyphenated (ARTSPACE, March 2018)
Sunshine Sacrifices (Blue Oyster Art Project Space, 2017)
One-not-one (Adam Art Gallery, 2018)
It’s not a life (Takahē Essay Competition – “First prize” 2017)
We ask so much of them (Turbine | Kapohau, IIML, 2016)
This mud body (Enjoy Gallery, 2015)
Forest satyagraha (Enjoy Gallery, 2015)
Scout (New Zealand Flash Fiction – “Commended” 2017)
Four weeks (Queen Mob’s Teahouse, 2017)
Art & poetry reviews
toot floor by Campbell Patterson (Circuit, April 2018) (different from my one in Pantograph Punch – below)
A TransPacific Poetics edited by Lisa Samuels and Sawako Nakayasu (Jacket 2, 2018)
toot floor by Campbell Patterson (The Pantograph Punch, 2018) – scroll down, it’s the last one!
From Unincorporated Territory [lukao] by Craig Santos Perez (Rain Taxi, 2018)
A Pool is not the Ocean by Louisa Afoa (The Pantograph Punch, 2017) – scroll down, it’s the last one!
the merrier by Miranda Parkes (The Pantograph Punch, 2017) – scroll down, it’s the last one!
Ann Shelton’s Dark Matter (Art + Australia online, 2017)
One knowledge worker: A review of Martin Thompson’s ‘Eight Works’ (The Pantograph Punch, 2017)
The Heat of Ritual: A review of Kushana Bush’s ‘The Burning Hours’ (The Pantograph Punch, 2016)
Pressing Singularities: Tendai John Mutambu in conversation with Robyn Maree Pickens (A Year of Conscious Practice – The Physics Room & Blue Oyster Art Project Space, 2016)